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Kindly remember that we have put six weeks of constant effort of this thing and have gotten nowhere. Jane Addams, an American social worker and social reformer, and the founder of Hull House, voiced her reaction to the film in an interview published by the New York Post on March 13, 1915, just ten days after the film was released. 85 She stated that One of the most unfortunate things about this film is that it appeals to race prejudice upon the basis of conditions of half a century ago, which have nothing to do with the facts we have to consider to-day.

It is claimed that the play is historical but history is easy to misuse. 85 In New York, Rabbi Stephen Samuel Wise told the press after seeing The Birth of a Nation that the film was an indescribable foul and loathsome libel on a race of human beings. 28 426 In Boston, Booker T. On Saturday, April 10, and again on April 17, Trotter and a group of other Blacks tried to buy tickets for the show s premiere at the Tremont Theater and were refused.

They stormed the box office in protest, 260 police on standby rushed in, and a general melee ensued. Trotter and ten others were arrested. Washington wrote a newspaper column asking readers to boycott the film, 28 426 while the civil rights activist William Monroe Trotter organized demonstrations against the film, which he predicted was going to worsen race relations.

86 The following day a huge demonstration was staged at Faneuil Hall. 14 87 In Washington D. C, the Reverend Francis James Grimké published a pamphlet entitled Fighting a Vicious Film that challenged the historical accuracy of The Birth of a Nation on a scene-by-scene basis. When the film was released, riots also broke out in Philadelphia and other major cities in the United States.

The film s inflammatory nature was a catalyst for gangs of whites to attack Blacks. On April 24, 1916, the Chicago American reported that a white man murdered a Black teenager in Lafayette, Indiana, after seeing the film, although there has been some controversy as to whether the murderer had actually seen The Birth of a Nation. 88 The mayor of Cedar Rapids, Iowa was the first of twelve mayors to ban the film in 1915 out of concern that it would promote race prejudice, after meeting with a delegation of Black citizens.

89 The NAACP set up a precedent-setting national boycott of the film, likely seen as the most successful effort. Additionally, they organized a mass demonstration when the film was screened in Boston, and it was banned in three states and several cities. Both Griffith and Dixon in letters to the press dismissed African-American protests against The Birth of a Nation. 91 In a letter to The New York GlobeGriffith wrote that his film was an influence against the intermarriage of blacks and whites.

91 Dixon likewise called the NAACP the Negro Intermarriage Society and said it was against The Birth of a Nation for one reason only because it opposes the marriage of blacks to whites. 91 Griffith indignant at the film s negative critical reception wrote letters to newspapers and published a pamphlet in which he accused his critics of censoring unpopular opinions. When Sherwin Lewis of The New York Globe wrote a piece that expressed criticism of the film s distorted portrayal of history and said that it was not worthy of constitutional protection because its purpose was to make a few dirty dollarsGriffith responded that the public should not be afraid to accept the truth, even though it might not like it.

He also added that the man who wrote the editorial was damaging my reputation as a producer and a liar and a coward. Audience reaction Edit. The Birth of a Nation was very popular, despite the film s controversy; it was unlike anything that American audiences had ever seen before. 94 The Los Angeles Times called it the greatest picture ever made and the greatest drama ever filmed. 95 Mary Pickford said Birth of a Nation was the first picture that really made people take the motion picture industry seriously.

96 It became a national cultural phenomenon merchandisers made Ku-Klux hats and kitchen aprons, and ushers dressed in white Klan robes for openings. In New York there were Klan-themed balls and, in Chicago that Halloween, thousands of college students dressed in robes for a massive Klan-themed party. 97 The producers had 15 detectives at the Liberty Theater in New York City to prevent disorder on the part of those who resent the reconstruction period episodes depicted.

The Reverend Charles Henry Parkhurst argued that the film was not racist, saying that it was exactly true to history by depicting freedmen as they were and, therefore, it was a compliment to the black man by showing how far Black people had advanced since Reconstruction. 93 Critic Dolly Dalrymple wrote that, when I saw it, it was far from silent. incessant murmurs of approval, roars of laughter, gasps of anxiety, and outbursts of applause greeted every new picture on the screen.

99 One man viewing the film was so moved by the scene where Flora Cameron flees Gus to avoid being raped that he took out his handgun and began firing at the screen in an effort to help her. 99 Katharine DuPre Lumpkin recalled watching the film as an 18-year-old in 1915 in her 1947 autobiography The Making of a Southerner Here was the black figure and the fear of the white girl though the scene blanked out just in time.

Here were the sinister men the South scorned and the noble men the South revered. Even then it does not tell the whole truth. And through it all the Klan rode. All around me people sighed and shivered, and now and then shouted or wept, in their intensity. Griffith made a film in 1916, called Intolerancepartly in response to the criticism that The Birth of a Nation received. Sequel and spin-offs Edit. Griffith made clear within numerous interviews that the film s title and main themes were chosen in response to those who he felt had been intolerant to The Birth of a Nation.

101 A sequel called The Fall of a Nation was released in 1916, depicting the invasion of the United States by a German-led confederation of European monarchies and criticizing pacifism in the context of the First World War. It was the first sequel in film history. 102 The film was directed by Thomas Dixon Jr.who adapted it from his novel of the same name. Despite its success in the foreign market, the film was not a success among American audiences, 11 102 and is now a lost film.

In 1918, an American silent drama film directed by John W. Noble called The Birth of a Race was released as a direct response to The Birth of a Nation. 104 The film was an ambitious project by producer Emmett Jay Scott to challenge Griffith s film and tell another side of the story, but was ultimately unsuccessful. 105 In 1920, African-American filmmaker Oscar Micheaux released Within Our Gatesa response to The Birth of a Nation.

Within Our Gates depicts the hardships faced by African Americans during the era of Jim Crow laws. 106 Griffith s film was remixed in 2004 as Rebirth of a Nation by DJ Spooky. 107 Quentin Tarantino has said that he made his film Django Unchained 2012 to counter the falsehoods of The Birth of a Nation. In November 1915, William Joseph Simmons revived the Klan in Atlanta, Georgia, holding a cross burning at Stone Mountain. Influence Edit. 28 430 109 The historian John Hope Franklin observed that, had it not been for The Birth of a Nationthe Klan might not have been reborn.

Franklin wrote in 1979 that The influence of Birth of a Nation on the current view of Reconstruction has been greater than any other single forcebut that It is not at all difficult to find inaccuracies and distortions in the movie. Critical response Edit. Released in 1915, The Birth of a Nation has been credited as groundbreaking among its contemporaries for its innovative application of the medium of film.

According to the film historian Kevin Brownlow, the film was astounding in its time and initiated so many advances in film-making technique that it was rendered obsolete within a few years. 110 The content of the work, however, has received widespread criticism for its blatant racism. Film critic Roger Ebert wrote. Certainly The Birth of a Nation 1915 presents a challenge for modern audiences. Unaccustomed to silent films and uninterested in film history, they find it quaint and not to their taste.

Those evolved enough to understand what they are looking at find the early and wartime scenes brilliant, but cringe during the postwar and Reconstruction scenes, which are racist in the ham-handed way of an old minstrel show or a vile comic pamphlet. Despite its controversial story, the film has been praised by film critics, with Ebert mentioning its use as a historical tool The Birth of a Nation is not a bad film because it argues for evil.

Like Riefenstahl s Triumph of the Willit is a great film that argues for evil. To understand how it does so is to learn a great deal about film, and even something about evil. According to a 2002 article in the Los Angeles Timesthe film facilitated the refounding of the Ku Klux Klan in 1915. com similarly states that There is no doubt that Birth of a Nation played no small part in winning wide public acceptance for the KKK, and that throughout the film African Americans are portrayed as brutish, lazy, morally degenerate, and dangerous.

112 History. 113 David Duke used the film to recruit Klansmen in the 1970s. a seminal commercial spectacle but also a decisively original work of art in effect, the founding work of cinematic realism, albeit a work that was developed to pass lies off as reality. It s tempting to think of the film s influence as evidence of the inherent corruption of realism as a cinematic mode but it s even more revealing to acknowledge the disjunction between its beauty, on the one hand, and, on the other, its injustice and falsehood.

The movie s fabricated events shouldn t lead any viewer to deny the historical facts of slavery and Reconstruction. But they also shouldn t lead to a denial of the peculiar, disturbingly exalted beauty of Birth of a Nationeven in its depiction of immoral actions and its realization of blatant propaganda. In 2013, the American critic Richard Brody wrote The Birth of a Nation was. The worst thing about The Birth of a Nation is how good it is.

The merits of its grand and enduring aesthetic make it impossible to ignore and, despite its disgusting content, also make it hard not to love. And it s that very conflict that renders the film all the more despicable, the experience of the film more of a torment together with the acknowledgment that Griffith, whose short films for Iq option vs metatrader 4 were already among the treasures of world cinema, yoked his mighty talent to the cause of hatred which, still worse, he sincerely depicted as virtuous.

Brody also argued that Griffith unintentionally undercut his own thesis in the film, citing the scene before the Civil War when the Cameron family offers up lavish hospitality to the Stoneman family who travel past mile after mile of slaves working the cotton fields of South Carolina to reach the Cameron home. Brody maintained that a modern audience can see that the wealth of the Camerons comes from the slaves, forced to do back-breaking work picking the cotton.

Likewise, Brody argued that the scene where people in South Carolina celebrate the Confederate victory at the Battle of Bull Run by dancing around the eerie flare of a bonfire which imply a dance of deathforeshadowing the destruction of Sherman s March that was to come. Finally, Brody argued that the end of the film, where the Klan prevents defenseless African Americans from exercising their right to vote by pointing guns at them, today seems unjust and cruel. In an article for The Atlanticfilm critic Ty Burr deemed The Birth of a Nation the most influential film in history while criticizing its portrayal of Black men as savage.

In the same way, Brody wrote that the scene where the Klan dumps Gus s body off at the doorstep of Lynch is meant to have the audience cheering, but modern audiences find the scene obscene and horrifying. 115 Richard Corliss of Time wrote that Griffith established in the hundreds of one- and two-reelers he directed a cinematic textbook, a fully formed visual language, for the generations that followed. More than anyone else more than all others combined he invented the film art.

He brought it to fruition in The Birth of a Nation. Corliss praised the film s brilliant storytelling technique and noted that The Birth of a Nation is nearly as antiwar as it is antiblack. The Civil War scenes, which consume only 30 minutes of the extravaganza, emphasize not the national glory but the human cost of combat. Griffith may have been a racist politically, but his refusal to find uplift in the South s war against the Union and, implicitly, in any war at all reveals him as a cinematic humanist.

In 1992, the U. Library of Congress deemed the film culturally, historically, or aesthetically significant and selected it for preservation in the National Film Registry. 116 The American Film Institute recognized the film by ranking it 44 within the AFI s 100 Years. 100 Movies list in 1998. Historical portrayal Edit. The film remains controversial due to its interpretation of American history.

University of Houston historian Steven Mintz summarizes its message as follows Reconstruction was an unmitigated disaster, blacks could never be integrated into white society as equals, and the violent actions of the Ku Klux Klan were justified to reestablish honest government. 117 The South is portrayed as a victim. The first overt mentioning of the war is the scene in which Abraham Lincoln signs the call for the first 75,000 volunteers.

However, the first aggression in the Civil War, made when the Confederate troops fired on Fort Sumter in 1861, is not mentioned in the film. 118 The film suggested that the Ku Klux Klan restored order to the postwar South, which was depicted as endangered by abolitionists, freedmen, and carpetbagging Republican politicians from the North. 119 The film is slightly less extreme than the books upon which it is based, in which Dixon misrepresented Reconstruction as a nightmarish time when Black men ran amok, storming into weddings to rape white women with impunity.

This is similar to the Dunning School of historiography which was current in academe at the time. The film portrayed President Abraham Lincoln as a friend of the South and refers to him as the Great Heart. 120 The two romances depicted in the film, Phil Stoneman with Margaret Cameron and Ben Cameron with Elsie Stoneman, reflect Griffith s retelling of history.

The couples are used as a metaphor, representing the film s broader message of the need for the reconciliation of the North and South to defend white supremacy. 121 Among both couples, there is an attraction that forms before the war, stemming from the friendship between their families. With the war, however, both families are split apart, and their losses culminate in the end of the war with the defense of white supremacy.

One of the intertitles clearly sums up the message of unity The former enemies of North and South are united again in defense of their Iq option vs metatrader 4 birthright. The film further reinforced the popular belief held by whites, especially in the South, of Reconstruction as a disaster. 28 432 In The Tragic EraBowers presented every Black politician in the South as corrupt, portrayed Republican Representative Thaddeus Stevens as a vicious race traitor intent upon making Blacks the equal of whites, and praised the Klan for saving civilization in the South.

28 432 Bowers wrote about Black empowerment that the worst sort of scum from the North like Stevens inflamed the Negro s egoism and soon the lustful assaults began. Rape was the foul daughter of Reconstruction. In his 1929 book The Tragic Era The Revolution After Lincolnthe respected historian Claude Bowers treated The Birth of a Nation as a factually accurate account of Reconstruction. Academic assessment Edit. The American historian John Hope Franklin wrote that not only did Claude Bowers treat The Birth of a Nation as accurate history, but his version of history seemed to be drawn from The Birth of a Nation.

28 432 Historian E. Merton Coulter treated The Birth of a Nation as historically correct and painted a vivid picture of black beasts running amok, encouraged by alcohol-sodden, corrupt and vengeful Black Republican politicians. 28 432 Franklin wrote as recently as the 1970s that the popular journalist Alistair Cooke in his books and TV shows was still essentially following the version of history set out by The Birth of a Nationnoting that Cooke had much sympathy with the suffering of whites in Reconstruction while having almost nothing to say about the suffering of Blacks or about how Blacks were stripped of almost all their rights after 1877.

Veteran film reviewer Roger Ebert wrote. stung by criticisms that the second half of his masterpiece was racist in its glorification of the Ku Klux Klan and its brutal images of Blacks, Griffith tried to make amends in Intolerance 1916which criticized prejudice. Despite some similarities between the Congressman Stoneman character and Rep.

Thaddeus Stevens of Pennsylvania, Rep. And in Broken Blossoms he told perhaps the first interracial love story in the movies even though, to be sure, it s an idealized love with no touching. Stevens did not have the family members described and did not move to South Carolina during Reconstruction. However, Stevens biracial housekeeper, Lydia Hamilton Smith, was considered his common-law wife, and was generously provided for in his will.

He died in Washington, D. In the film, Abraham Lincoln is portrayed in a positive light due to his belief in conciliatory postwar policies toward Southern whites. The president s views are opposite those of Austin Stoneman, a character presented in a negative light, who acts as an antagonist. The assassination of Lincoln marks the transition from war to Reconstruction, each of which periods has one of the two acts of the film.

125 In including the assassination, the film also establishes to the audience that the plot of the movie has historical basis. 126 Franklin wrote the film s depiction of Reconstruction as a hellish time when Black freedmen ran amok, raping and killing whites with impunity until the Klan stepped in is not supported by the facts.

28 427 428 Franklin wrote that most freed slaves continued to work for their former masters in Reconstruction for the want of a better alternative and, though relations between freedmen and their former masters were not friendly, very few freedmen sought revenge against the people who had enslaved them. The civil rights movement and other social movements created a new generation of historians, such as scholar Eric Foner, who led a reassessment of Reconstruction.

The depictions of mass Klan paramilitary actions do not seem to have historical equivalents, although there were incidents in 1871 where Klan groups traveled from other areas in fairly large numbers to aid localities in disarming local companies of the all-Black portion of the state militia under various justifications, prior to the eventual Federal troop intervention, and the organized Klan continued activities as small groups of night riders. Building on W. DuBois work but also adding new sources, they focused on achievements of the African American and white Republican coalitions, such as establishment of universal public education and charitable institutions in the South and extension of suffrage to Black men.

In response, the Southern-dominated Democratic Party and its affiliated white militias had used extensive terrorism, intimidation and outright assassinations to suppress African-American leaders and voting in the 1870s and to regain power. Film innovations Edit. In his review of The Birth of a Nation in 1001 Movies You Must See Before You DieJonathan Kline writes that with countless artistic innovations, Griffith essentially created contemporary film language.

virtually every film is beholden to The Birth of a Nation in one way, shape or form. Griffith introduced the use of dramatic close-ups, tracking shots, and other expressive camera movements; parallel action sequences, crosscutting, and other editing techniques. He added that the fact that The Birth of a Nation remains respected and studied to this day-despite its subject matter-reveals its lasting importance. Griffith pioneered such camera techniques as close-ups, fade-outs, and a carefully staged battle sequence with hundreds of extras made to look like thousands.

Home media and restorations Edit. 9 The Birth of a Nation also contained many new artistic techniques, such as color tinting for dramatic purposes, building up the plot to an exciting climax, dramatizing history alongside fiction, and featuring its own musical score written for an orchestra. For many years, The Birth of a Nation was poorly represented in home media and restorations.

According to the silent film website Brenton Filmmany home media releases of the film consisted of poor quality DVDs with different edits, scores, running speeds and usually in definitely unoriginal black and white. This stemmed from several factors, one of which was the fact that Griffith and others had frequently reworked the film, leaving no definitive version.

One of the earliest high-quality home versions was film preservationist David Shepard s 1992 transfer of a 16mm print for VHS and LaserDisc release via Image Entertainment. Both were released on DVD by Image in 1998 and the United Kingdom s Eureka Entertainment in 2000. In the UK, Photoplay Productions restored the Museum of Modern Art s 35mm print that was the source of Shepard s 16 mm print, though they also augmented it with extra material from the British Film Institute.

It was also given a full orchestral recording of the original Breil score. A short documentary, The Making of The Birth of a Nationnewly produced and narrated by Shepard, was also included. Though broadcast on Channel 4 television and theatrically screened many times, Photoplay s 1993 version was never released on home video. Shepard s transfer and documentary were reissued in the US by Kino Video in 2002, this time in a 2-DVD set with added extras on the second disc.

These included several Civil War shorts also directed by D. 130 In 2011, Kino prepared a HD transfer of a 35 mm negative from the Paul Killiam Collection. They added some material from the Library of Congress and gave it a new compilation score. This version was released on Blu-ray by Kino in the US, Eureka in the UK as part of their Masters of Cinema collection and Divisa Home Video in Spain. In 2015, the year of the film s centenary, Photoplay Productions Patrick Stanbury, in conjunction with the British Film Institute, carried out the first full restoration.

It mostly used new 4K scans of the LoC s original camera negative, along with other early generation material. It, too, was given the original Breil score and featured the film s original tinting for the first time since its 1915 release. In popular culture Edit. The restoration was released on a 2-Blu-ray set by the BFI, alongside a host of extras, including many other newly restored Civil War-related films from the period.

The Birth of a Nation s reverent depiction of the Klan was lampooned in Mel Brooks Blazing Saddles 1974. 131 Ryan O Neal s character Leo Harrigan in Peter Bogdanovich s Nickelodeon 1976 attends the premiere of The Birth of a Nation and realizes that it will change the course of American cinema. 131 Clips from Griffith s film are shown in Robert Zemeckis Forrest Gump 1994where the footage is meant to portray the titular character s ancestor and namesake Nathan Bedford Forrest 132 The closing montage of Spike Lee s Bamboozled 2000along with other footage from demeaning portrayals of African Americans in early 20th century film 106 Lee s BlacKkKlansman 2018where Harry Belafonte s character Jerome Turner speaks about its role in the lynching of Jesse Washington as the modern Ku Kluk Klan led by Grand WizardDavid Duke Topher Grace screens it as propaganda.

133 Director Kevin Willmott s mockumentary C. It shows part of an imagined Griffith film, The Capture of Dishonest Abewhich resembles The Birth of a Nation and was supposedly adapted from Thomas Dixon s The Yankee. The Confederate States of America 2004 portrays an imagined history where the Confederacy won the Civil War. 108 In Justin Simien s Dear White People 2014Sam Tessa Thompson screens a short film called The Rebirth of a Nation which portrays white people wearing whiteface while criticizing Barack Obama.

106 In 2016, Nate Parker produced and directed the film The Birth of a Nationbased on Nat Turner s slave rebellion; Parker clarified. I ve reclaimed this title and re-purposed it as a tool to challenge racism and white supremacy in America, to inspire a riotous disposition toward any and all injustice in this country and abroad and to promote the kind of honest confrontation that will galvanize our society toward healing and sustained systemic change.

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RENNES AUTOMOBILES Ille-et-Vilaine. Rennes Automobiles, présent depuis 37 ans à Rennes, vous propose un choix de plus de 80 véhicules d occasion toutes marques, disponibles immédiatement. -Véhicules garantis de 3 à 24 mois. -Possibilité de reprise de votre véhicule. La plupart de nos véhicules sont des reprises de concessionnaires de la région Grand Ouest. Horaires Du lundi au vendredi 9h00-12h30 14h00-19h00.

Le samedi 9h00-12h30 14h00-18h00. Por tanto, id, y haced discípulos a todas las naciones, bautizándolos en el nombre del Padre, y del Hijo, y del Espíritu Santo; enseñándoles que guarden todas las cosas que os he mandado; y he aquí yo estoy con vosotros todos los días, hasta el fin del mundo. Lectura del día. UN CLAMOR - 72 Horas de Ayuno y Oración. Próximas Actividades. D L M X J V S 30 31 1 2 3 4 5 6 7 8 9 10 11 12 13 14 15 16 17 18 19 20 21 22 23 24 25 26 27 28 29 30 1 2 3.

La Iglesia Familiar Cristiana existe con el propósito de cumplir el mandato de Jesucristo de Ir y hacer discípulos a todas las nacionesentregando a los convertidos actuales y nuevos, un evangelio que traiga como resultado el deseo y la capacidad de hacer la voluntad de Dios en toda área de su vida. Sin eventos. Centro Bíblico Teleios. Background Ingrown nails are a very common problem. Using 80 trichloroacetic acid in the treatment of ingrown toenails.

There are different stages of disease and diverse therapeutic options. Phenol and sodium hydroxide are commonly used agents for chemical matricectomy but both frequently entail excessive healing times. Objective This prospective study aimed mainly to evaluate the efficacy of partial nail avulsion and selective chemical cauterization of the matrix using 80 TCA in the treatment of the ingrowing nail.

Methods One-hundred-and-thirty-three patients with 197 ingrown toenails were included in this study. Preoperatively, we tried to find predisposing factors to the disease. In the postoperative period, patients were evaluated for potential complications at days 3, 30, 180, 270 and 360. Pain was measured before surgery, as well as 24 hours and 72 hours after surgery.

Results There were only 3 cases out of 197 of ingrown nail recurrence. Preoperatively, we found the presence of drainage in 82 of patients, which, following the first visit after surgery, was reduced to 19. Persistent granulation tissue was found in 3 of the patients versus 75 prior to surgery. The most frequent predisposing factors for the ingrown nail were excessive trimming of the lateral nail plate 63plantar hyperhidrosis 58 and heavy nail folds 39.

Pain was substantially reduced after surgery. Conclusion It is assumed that chemical procedures for the ingrown toenail are associated with delayed healing times but our results demonstrated quick recovery. Using 80 TCA for selective matricectomy in the ingrown toenail is an effective, quick and easy method. FUNDAMENTO A unha encravada é uma patologia muito frequente. A doença engloba diferentes estadios existindo diferentes soluções terapêuticas. O fenol e o hidróxido de sódio são largamente utilizados na matricetomia química porém ambos cursam com longos tempos de cura.

OBJETIVO O principal objectivo deste estudo prospectivo foi avaliar a eficácia da mactricectomia com ácido tricloroacético a 80 no tratamento da unha encravada. MÉTODOS Foram incluídos no estudo 133 doentes com 197 unhas encravadas. Factores predisponentes foram avaliados pré-operatoriamente. No período pós-operatório os doentes foram avaliados para potenciais complicações ao dia 3, 30, 180, 270 e 360. A dor foi avaliada antes da cirurgia, 24 horas e 72 horas depois da cirurgia.

RESULTADOS Ocorreram apenas 3 em 197 casos de recorrência da unha encravada. Antes da cirurgia registou-se exsudação em 82 dos doentes sendo que na primeira visita após a cirurgia este número foi reduzido para 19. Observou-se ainda tecido de granulação persistente em 3 dos doentes versus 75 antes da cirurgia. Os factores predisponentes mais frequentemente encontrados para unha encravada foram o corte excessivo da porção lateral da placa ungueal 63hiperhidrose plantar 58 e pregas ungueais espessadas 39.

A dor teve uma redução dramática após a cirurgia. CONCLUSÃO É assumido que os procedimentos químicos para a unha encravada estão associados com longos tempos de cura mas os nossos resultados mostraram uma rápida recuperação. No tratamento da unha encravada a matricectomia parcial com ácido tricloroacético a 80 é um método rápido, eficaz e de fácil execução.

Veja quanto tempo o coronavírus sobrevive nas superfícies. Um estudo publicado na terça-feira 17 na revista científica New England Journal of Medicine afirma que o coronavírus responsável pela doença Covid-19 consegue sobreviver até 3 dias em algumas superfícies, como plástico ou aço. Coronavírus pode viver de 1 hora a 3 dias fora do corpo, depende da superfície. O estudo foi realizado por cientistas dos Centros de Controle e Prevenção de Doenças CDCda Universidade da Califórnia, de Los Angeles e de Princeton.

O trabalho avalia a resistência do vírus em cinco materiais diferentes, e mostra que o novo coronavírus fica mais estável em plástico e aço inoxidável, que são materiais bastante utilizados no dia a dia da população.

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